Friday, 13 June 2014

Electronica Elation Playlist

Article by wayoutwest@thesoundofconfusion.com


The past few months have presented much of an awakening for me in terms of the world of electronica and the many many electronic sub-genres that exist (I'm still exploring and likely will never cease doing so). This playlist includes a bouquet of tracks in varied sub-genres, which are sure to get under your skin and massage your senses with non-lethal sonic voltage. We'll kick this off with something totally fresh from the legendary Giorgio Moroder. Like some tracks here? Go explore the artists' other work & support where possible.

Scroll to the bottom for a continuous playlist.


Giorgio Moroder – Giorgio's Theme



Giorgio Moroder's website


The Robot Scientists feat. Lisa – Black Hole



The Robot Scientists' website


Theatre of Delays – Shine



Theatre of Delays' website


Haioka – Blowin In The Wind of Love



Haioka's website


Solarein – Luminescence



Solarein's website


go nogo – Movement (Skatebård Remix)



go nogo's website
Skatebård's website


Yoshiyuki Ota – Will Be Gone Soon



Yoshiyuki Ota's website


Alexander Robotnick – Oui Je T’Aime (Statickman Remix)



Statickman's website
Alexander Robotnick's website


The Boy & Sister Alma - Lizard Eyes (Auxiliary Tha Masterfader Remix)



The Boy & Sister Alma's website
Auxiliary Tha Masterfader's website


Charles Bordeaux – Bloodpacts (A Copycat Remix)



Copycat's website
Charles Bordeaux's website


Dead Sea Captains - Kjesus (Chromatic Dream Remix)



Dead Sea Captains' website
Chromatic Dream's website


go nogo – Good Morning (Marius Våreid Remix)



Marius Våreid's website


The Sweeps - Optimistic Melancholic (Flemming Dalum Remix)



The Sweeps' website
Flemming Dalum's website


Mockbirth – Housefly (Mikael Fas Remix)



Mikael Fas' website
Mockbirth's website







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Band To Check Out: Soft Plastic


For a debut EP, the music Austrian duo Soft Plastic have given us is remarkable self-assured and perfectly produced. 'Halilopeux' doesn't sound like a work in progress or the first tentative steps of a new band, it sounds complete, like a band who are comfortably in their stride. With indie-rock of this class, it could be just a matter of time before Soft Plastic are more widely known, and judging by the votes they've received on Chartburst, it's not just us who think that. Check out Tatjana's review and head to their profile for more information.




Soft Plastic's website





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Colonel Mustard & The Dijon 5 - Party To Make Music To Party To Make Music To Party To Make Music To 1

Album review by KevW


Having followed bonkers Glasgow collective Colonel Mustard & The Dijon 5 for over two years, it seemed unlikely that their debut album would be anything other than a temporary heap of fun; a few good sniggers and then forgotten about before the year was out. Naming the record 'Party To Make Music To Party To Make Music To Party To Make Music To 1' did little to change this assumption, but fire the thing up and there's a heck of a lot more substance, imagination and overall quality than was to be expected. So that's put me in my place then. It may be difficult to take too seriously an album that begins with the line "It's like hanky-panky, with Jimmy Krankie, it's wrong on so many levels" (from the stupendous 'How Many Many's' - other choice lines: "It's like a game of bukkake, with Colonel Gaddafi, it's wrong on so many levels... or a Chinese waiter, in an elevator, he's Wong on so many levels"). Given its propensity for such humour, taking something seriously would be a challenge were it not a kick-ass song, filled with brass and an array of other instrumentation; this has taken the early demos and transformed them into something of some might.

Further proof of their blossoming into genuine contenders comes with the new version of 'Gay Icon', their hymn to same-sex marriage. Naturally it comes with a few chuckles in the lyrics. Colonel Mustard & The Dijon 5 don't like to repeat the same tricks though, and 'Party...' touches base with a multitude of genres, all of which fit together nicely, and all of which are arranged brilliantly, lifting them far higher than those first demos would have you believe. 'Dance Off' might have a hint of the Goldie Lookin Chains about it, and it is rare to hear such a strong Scottish accent attempting a form of novelty rap, but although it's not the most memorable song here, it's no space filler, and much the same could be said for disco track 'International Sex Hero'. How on earth you can create mariachi psych-folk is beyond me, but there it is on 'Walk Of Shame', sounding just dapper. Punk with animal noises sounds like the kind of song you'd cross over to the other side of the road to avoid if you saw it walking towards you. Once again though, 'Ecological Damage' succeeds where it really has no right to. Cod-ragga? Sounds like it should be avoided at all costs, so quite how 'Bouncy Ball' works so well isn't clear, but it does. Maybe it's to do with the fact that The Dijon 5 have managed to nail the musicianship so that the tongue-in-cheek vocals ("to the old times, when men were men and women were men...") are more likely to induce a smile than a cringe. The production and attention to detail really are surprisingly good.

The two songs that really drive home the fact that this is far more than a bunch of ROFL-inducing lyrics with some tunes that are perhaps a bit too good for them are 'Capturado' and 'Junkie Breakfast'. Since its first incarnation, cod-Western track 'Capturado' has undergone a transformation that simply makes it far better than before. The spoken-word intro, the picked acoustic that follows it, then the lyrics (in a broad Scottish accent again, there's no attempt at phony Americanization). That mariachi brass comes into its own here, and the cinematic instrumentation belongs to an old Hollywood movie, while the song talks of modern-day Scotland; of garlic-eating taxi drivers with verbal diarrhoea. It's exceptionally well made and somehow quite poignant at times. Speaking of which, full marks must go to the weird, wonderful, psychedelic, humerous yet sad 'Junkie Breakfast'. Despite all the laughter, all the messing around with different styles, here they let a strange seriousness filter through. Odd voices talk about different types of addiction, heroin, Facebook, cake... mustard. The music sits back and lets the various characters tell their stories of trying to get money and the desperation of attempting to get hold of what they need to satiate their cravings. It's funny at every moment (even including a Beatles impression) but actually makes you stop and think with it. This is no mean feat and the way it's all pieced together is hugely impressive. "There's methadone in my madness, if children are naughty you should give them a smack (snigger)". 'Junkie Breakfast' is surely the highlight of the LP and is the proof that Colonel Mustard & The Dijon 5 are much more than a novelty curiosity. The album ends on the lovable singalong of 'Ginger Girl', and we're just left to take our hat off to them and offer a round of applause.







Colonel Mustard & The Dijon 5's website

Stream or buy the album

Catch them live:

Jun 20 Solas Festival, Perth, UK
Jul 04 Kelburn Garden Party, Glasgow, UK
Jul 12 Live and Underground Loch Lomond Boat Party, Loch Lomond, UK
Jul 25 Wickerman Festival, Dumfries, UK
Sep 05 Live@Troon, Troon, UK
Sep 06 root and toot festival, East Kilbride, UK
Sep 13 Glasgow Barfly, Glasgow, UK
Nov 01 Swg3 Warehouse, Glasgow, UK





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Thursday, 12 June 2014

Band To Check Out: Cavaliers


As anyone who's ever read a copy of NME will know, as soon as a new guitar band come along with the potential to actually shift some records and make contact with the charts, the hype machine goes into overdrive. What a shame it's been wasted on bands like Viva Brother and Mono in recent years. Both next-big-things according to that publication. Winchester's Cavaliers are in with a fighting chance of breaking through though. They have catchy tunes, they have edge but accessibility with it. They also have song titles such as 'If I Had 50p For Every Time You Stabbed Me In The Back I'd Be Looking At At Least £8.60' and 'Adam Richman Makes His Favourite Sandwich'. Their sound is a coming together of indie, math-rock and a hint of garage; pretty much a hybrid of all the alternative guitar bands who have broken through in the past decade or so. The Chartburst winners should really be getting some hype action themselves. Check out Kev's review and visit their profile for to listen, vote and find out more.



Cavaliers' website





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Band To Check Out - Overlake

Article by ethan@thesoundofconfusion.com


Overlake are a three-piece indie-rock, shoegaze/alt-rock project from Jersey City who cite some of their influences as Ride, MBV, Sonic Youth, Dino Jr., Slowdive, Built to Spill and Yo La Tengo. They are on Killing Horse records. I saw them at Muchmores' in Brooklyn and they were fantastic.

They recently released an LP called 'Sighs' which is available for sale and you can also find it on Spotify. The band is Tom Barrett, Lysa Opner and Scotty Imp. The songs are slow and fuzzy, with restrained, elegant drumming, prominent basslines, pretty guitar and dreamy vocals. They were loud live.

On the record the first and sixth track are instrumental... two parts of an eerie, foreboding piece which ought to be used for some kind of show-down scene in a film or something. Track eight, 'Our Sky' reminds me of a Meatpuppets song... it's one of the more uptempo numbers. It's a slow, sad, haunting record; it gets heavy now and then, but it's always slow and sad and haunting.





Overlake's website

Buy the album

Catch them live:

Thurs, June 19: Union Pool, 484 Union Ave, Brooklyn, New York 11211





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The Thought Clouds - Wrong Key EP

EP review by KevW for www.soundsxp.com


Exeter's indiepop scene has spawned another bunch of rickety melodic strummers, although it looks like The Thought Clouds comprise of members who've done time in other bands in the past. 'Wrong Key' is their debut EP together though, and will be followed by a debut album which is currently in production and hopefully will be ready before the year's out. Leo Collett is the man who takes care of writing and vocal duties, (with Evie Collett providing original artwork) and the sound of these songs fits nicely onto the roster of Pastime Records, mirroring other groups' love of retro indie but varying in style. There's acoustic live track 'Some Things Never Change' which is all the better for its simplicity, and an unnamed secret track which is slightly trippy, combining backwards recordings and strange laughter to paint an odd dreamscape.

The clue to the EP's focus comes in its title. 'Wrong Key' is an amalgamation of two songs: 'Wrong' and 'Find The Key'. The former is lo-fi pop that is enriched by washes of synth and a nice guitar solo which help offset the sadness that comes through in the lyrics, while 'Find The Key' might be the most instant hit here, featuring buzz-saw guitar and a near-live vibe to it, something that adds life. Often with lo-fi recordings like this, some of that spark can be put out by production which ends up leaving it all a bit flat, but this fizzes out of the speakers. The last song (barring the hidden track) is 'Book'. Here we find a mixture of '60s pop and nods to idiosyncratic British songwriters of the past. A nice introduction to a promising new project.







The Thought Clouds' website

Buy the EP





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Wednesday, 11 June 2014

Artist To Check Out: Lesley Ryland


With indie-rock songs in the style of 'High Expectations' or 'Bed Of Roses', Florida's Lesley Ryland will undoubtedly draw comparisons to bands like Metric and Rilo Kiley, as well as early PJ Harvey, but there are far worse people to be placed into the same bracket as. In truth, listening through Ryland's songs you find a wider diversity than that, and also a commercial edge peeking up from just below the surface that suggests she may well become a star in her own right. The listeners at Chartburst voted her high up the charts, so she' already building a fanbase. Check out Kev's review and visit her profile for more tunes, videos and links.





Download 'All Roads' for free by heading here

Lesley Ryland's website





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